A Keepsake for Karen Russell & MFA Students

The Tampa Book Arts Studio welcomed guest writer Karen Russell and MFA residency students on Friday, Jan. 3, 2013, for some hands-on letterpress printing just outside "the swamp.” The quotation used on the keepsake is from Russell’s novel Swamplandia, set in the Florida Everglades, and though the ’glades begins a little further south, Tampa has a claim on swampland, too—which makes us all “swamp people.” 

Participants printed two colors on the keepsake, using two different presses, and also saw a demonstration of how to make decorative paste papers, watched slides and videos about the letterpress era, and shared a variety of refreshments. This is the third time the Book Arts Studio has hosted this event for graduate students in the writing program—with about 90 participants this time around.

Every student was presented with a portfolio to carry their paste paper samples and hand-printed keepsake.

Retired printer Henry Welhe demonstrates the Intertype to MFA student Charles Wheeler and guest writer Karen Russell.

A Letterpress May Term with Paul Moxon

University of Tampa students gather at the composing stone while visiting professor Paul Moxon demonstrates the process of tying standing type on a galley.

Summer is nearly here and the University of Tampa is a quiet place after graduation, but students with the stamina to take a semester's worth of classes in just two weeks have stayed for May Term. Eleven UT students in art, English, and creative writing met early on the morning of May 9th for the first of fourteen consecutive classes in "Printing, Publishing, and Book Arts." The course is an introduction to the art and history of the book. It includes studio experience with letterpress printing, typography and typesetting, principles of editing and publishing, creative writing, graphic design, illustration, papermaking, and bookbinding. The primary aims of the class are to introduce students to the aesthetic, cultural, and material dimensions of the reading experience, to enhance their understanding of how physical and visual presentation shapes a reader's perceptions, and to introduce the history, craft, and art of the physical book.

The course is being taught by guest faculty Paul Moxon, a studio letterpress printer and editor of the American Printing History Association Newsletter, as well as a nationally known workshop instructor and Vandercook press consultant. He prints for hire and publishes limited edition books and broadsides under the imprint Fameorshame Press. Assisting Paul are Carl Mario Nudi, a veteran printer and TBAS letterpress coordinator; Henry Wehle, Intertype operator; and three of UT's own faculty members: Kendra Frorup, papermaker, binder, and book artist; Ina Kaur, fine art printmaker; Richard Mathews, printer, publisher, type founder.

Letterpress Broadsheet Celebrates Poet Shane Seely's Reading at UT

Student volunteers Conner S. McDonough ( in profile on left) and Jenny Goodwin, both creative writing majors themselves, check an early proof of “Two Boys in the Woods,” a poem by visiting poet Shane Seely that they designed and printed as a letterpress broadsheet to celebrate his reading at the University of Tampa. It is the first time the TBAS has issued a limited-edition broadsheet in connection with the annual Writers at the University Series.

With the help of Carl Mario Nudi, letterpress coordinator at TBAS, Conner set the poem on a Ludlow Typograph. Jenny and Conner printed it on a Vandercook 4. Fifty copies were printed on dampened paper in two colors.

With careful attention to detail, Jenny and Conner carried out the work. Seely, whose 2009 collection The Snowbound House received the Levine Prize and was published by Anhinga Press, congratulated them on the result and signed all fifty copies. He is Senior Lecturer in English at Washington University in St. Louis. His poems have appeared in Crab Orchard Review, Arts & Letters, Notre Dame Review, Bellingham Review, Prairie Schooner, and other journals, and on the Poetry Daily website.

In the photos below, Conner checks the inking and impression; Carl and Jenny adjust the lockup on the Vandercook.