Friday, October 24, 2014

TBAS Letterpress Coordinator Visits Lead Graffiti in Delaware

Jill Cypher and Ray Nichols in the Lead Graffiti studio, Newark, Delaware.
      When Tampa Book Arts Studio Letterpress Coordinator Carl Mario Nudi headed North last month to visit relatives and friends, he was happy to see that his road trip would take him near Newark, Delaware, where the creative letterpress studio Lead Graffiti is located. Jill Cypher and Ray Nichols, the studio’s owners, greeted our “itinerate inquirer of all things letterpress” with gracious and overwhelming hospitality. 
      Lead Graffiti not only produces unique and innovative books, broadsides, and other book arts pieces, but Jill and Ray, and Ray’s son, Tray, also do commercial letterpress commissions. They work with traditional materials in surprising and contemporary ways. Their studio resources include a variety of traditional wood and foundry types, supplemented by new and wonderful wood type that they have designed and manufactured entirely in-house.
An example of the wood type made at Lead Graffiti.
      During Carl’s visit, Jill and Ray generously took the time to show him around and explain some of their techniques.  They also presented him with some inspiring samples of their work to share with the TBAS associates. One of the most interesting broadsides is from the 2014 series of their “Tour de Lead Graffiti” project. The sample print they sent back to Tampa is one of twenty-one posters interpreting the stages of this year’s Tour de France bicycle race held in July in France and nearby European countries.

Some of this year’s posters from Tour de Lead Graffiti.

      Each day during the Tour de France, Jill, Ray, and a team of collaborators watched television coverage of the race and related activities to soak up the atmosphere, and to catch some of the memorable commentary, interviews, and incidents. They would then go to lunch and discuss how to translate and interpret their impressions into a poster using wood and metal types, decorative elements, and colored inks on a 14.5” x 22.5” sheet. What is immediately obvious about this project is the spontaneity that the finished work communicates. Even the composition and lockup were done directly on the bed of their Vandercook press without preparation.
 Bringing the Tour to TBAS.

      The posters are limited editions—this year being the fourth in their yearly series—and copies of many of them remain available for purchase. Check out Lead Graffiti’s web site to see more of the series, along with some of the other great stuff they are doing: